New Rare Books in the Spotlight

Example of four flap enclosures for rare books and pamphlets.

For a brief period Wednesday, normal activity came to a halt in the Special Collections Research Center. Our fabulous Cataloging & Metadata Librarian, Friedgard Cowan, brought down a cart packed with recently cataloged rare books from Technical Services. When a rare book is donated or acquired, it is first cataloged in Technical Services, so that it will be accessible to researchers through our online Catalog. After it’s cataloged, the rare books are brought to the Research Services Coordinator in the Special Collections Research Center, so that we may assess any preservation needs it may have before shelving it in the stacks. Books in more fragile condition require an enclosure, like a phase box or four flap folder, before being able to be shelf-ready. Once it is determined that the book is “shelf-ready,” it is shelved in our closed stacks–ready to be pulled for the researchers who need it!

Seeing the “new to us” rare books is always exciting. So here, making their Special Collections Research Center debut:

First, an addition to our Decorated Bindings Collection! Elizabethan Songs “In Honour of Love and Beautie” Collected and Illustrated by Edmund H. Garrett, published in 1891.

Elizabethan Songs “In Honour of Love and Beautie” Collected and Illustrated by Edmund H. Garrett, published in 1891, PR 1207 .G3 1891

Elizabethan Songs “In Honour of Love and Beautie” Collected and Illustrated by Edmund H. Garrett, published in 1891, PR 1207 .G3 1891

In fact, music seems to be the theme of these recently cataloged books. From 1935, we have a first edition vocal score, “Songs from Top Hat,” with words and music by Irving Berlin. Songs included in this piano-vocal score include classics like, “Cheek to Cheek,” “Top Hat, White Tie and Tails,” and “No Strings (I’m Fancy Free).”

Songs from “Top Hat”, Lyrics and Music by Irving Berlin, published 1935, M 1508 .B465 T66 1935

Finally, an early musical manuscript: plainsong!

Can you see the grotesque face in the initial below?

Vellum Manuscript Leaf from a Choir Book in Latin, produced in the late 15th/early 16th century in Italy, M2147 XVI .M4

Special Collections Research Center’s Manuscripts and Archives Librarian, Liz Beckman, admiring the vellum manuscript leaf: Vellum Manuscript Leaf from a Choir Book in Latin, produced in the late 15th/early 16th century in Italy, M2147 XVI .M4

You can find these items and many more in our rare books collection. To search the rare books collection for interesting items from our collection, search the Mason Catalog, click on “Set Limit” and limit by the location “Fenwick Special Collections.”

E-mail us at speccoll@gmu.edu or call 703-993-2220 if you would like to schedule an appointment, request materials, or if you have any questions. Appointments are not necessary to view collections.

Charles Magnus, Patriotic Civil War Propaganda Printmaker

This post was written by Leanne Fortney, who began working with us in March as a Graduate Student Assistant within Research Services. Her main responsibilities are safeguarding our materials and assisting patrons with their research needs. She is a mother of two working on her MA in Art History with an interest in U.S. modern art between World War I and World War II. 

Northern Virginia Civil War images, #C0150 folder 2, Special Collections Research Center, George Mason University Libraries.

In the United States, the Civil War created such a great demand for patriotic propaganda. Printmakers, such as Charles Magnus, produced over a thousand illustrations within the course of the war. This entire Northern Virginia Civil War images collection consists of nearly 200 images on various historical subjects in a variety of formats, including wood engravings, steel engravings, lithographs, chromolithographs, maps, and manuscripts from three periodicals: The Illustrated London News, Frank Leslie’s Illustrated Newspaper, and Harper’s Weekly. Most of the images depict battles and maps of the Civil War. The maps include the cities of Arlington and Alexandria and the counties of Fairfax, Loudoun and Prince William. Columbia Pike, Chain Bridge, Long Bridge, the Little River Turnpike, Centreville and Manassas all existed at the time of the Civil War and all of them are represented or referenced in these images.

Northern Virginia Civil War images, #C0150 folder 2, Special Collections Research Center, George Mason University Libraries.

Magnus’s Civil War illustrations depicted scenes of civil war camps, battles, and portraits of military officials, but he specialized primarily in decorative patriotic stationary such as cards and envelopes. Although pictorial images comprise the majority of the collection, there are also numerous maps, most of which were produced by lithography. A number were produced for military purposes and employed by both the North and South alike. Maps made during the Civil War were often exceedingly accurate; their usefulness carried on into the twentieth century. Magnus’s lithograph series entitled, “Bird’s Eye View of Alexandria, Va”, are illustrated on well-preserved envelopes that are no larger than 3 inches by 5 inches and include a few that are hand colored! In 1798, German inventor, Alois Senefelder, created an innovated and revolutionary printmaking process that is now known as lithography. Lithography allows for artists to produce an unlimited set of images. This enabled Magnus to keep up with the high demands for his patriotic illustrations.

Illustrations like these have been created and used by the public to highlight news events, political satire, coverage of wars, marriages, and even celebrity (like Kings, Queens, Popes, etc.) outings. The practice of creating woodblock prints has been around since at least 220 C.E. with the Han Dynasty. Eventually, through the use of removable type and the invention of the printing press, artists were able to distribute their images over an even larger population.

Northern Virginia Civil War images, #C0150 folder 2, Special Collections Research Center, George Mason University Libraries.

Northern Virginia Civil War images, #C0150 folder 2, Special Collections Research Center, George Mason University Libraries.

 

 

 

 

 

 

 

 

To search the collections held at Special Collections Research Center, go to our website and browse the finding aids by subject or title. You may also e-mail us at speccoll@gmu.edu or call 703-993-2220 if you would like to schedule an appointment, request materials, or if you have questions. Appointments are not necessary to request and view collections.

 

Women’s History Month

March is Women’s History Month!

Here in the Special Collections Research Center, we are honoring Women’s History Month by highlighting the collections and ephemera that document women’s contributions to American history.

Below, we have a pamphlet from the Equal Suffrage League of Virginia, dated from 1910. Here the authors connect a women’s work in the home with the broader work of cleaning up society.

Ephemera from the Rare Book Collection,”Women in the Home,” by Susan W. Fitzgerald, JK1896 .F58 1910

From the Massachusetts Woman’s Suffrage Association is the follow pamphlet, documenting the states where women had the right to vote, or a partial right to vote.

Map of United States Showing Progress of Equal Suffrage, 1915, JK1896 .M36 1915

As of 1915, women were legally allowed to vote in only a few states. The 19th Amendment would not ratified until 192o, which gave women the right to vote nationally.

Equal rights for women would remain an issue in politics even after the passage of the 19th Amendment.

Founded in 1920, the League of Women Voters is a non-partisan advocacy organization dedicated to informed and active participation in government and works to increase understanding of public policy issues.

In the Special Collections Research Center, we have the records of the League of Women Voters Fairfax, C0031. This collection contains multiple documents that outline the 1970s battle over the Equal Rights Amendment, never ratified.

Poster outlining “ERA Month,” and the importance of the Equal Rights Amendment, League of Women Voters Fairfax Collection C0031, Box 11, Folder 4, Special Collections Research Center, George Mason University Libraries

In the above outline, for “ERA Month”, the authors assure its reader that “The ERA will not take women out of the home, require them to take jobs or to contribute half the financial support of their family. Rather, it would recognize for the first time the role and the contribution to the support of the family that the homemaker makes.”

To search the collections held at Special Collections Research Center, go to our website and browse the finding aids by subject or title. For rare books, search the library catalog, limiting your search to Fenwick Special Collections.

You may also e-mail us at speccoll@gmu.edu or call 703-993-2220 if you would like to schedule an appointment, request materials, or if you have questions. Appointments are not necessary to request and view collections.

Ok…So we found THIS during Rare Book Inventory.

Wie die Ostmark ihre Befreiung erlebte. Adolf Hitler und sein Weg zu Grossdeutschland, 1940. Book is in Special Collections Research Center, Rare Books, DB 96 .H63.

We are in the midst of doing an inventory or our rare books collection in SCRC. While working in the folio section, a colleague and I stumbled upon this disturbing yet intriguing volume.  Wie die Ostmark ihre Befreiung Erlebte: Adolf Hitler und sein Weg zu Grossdeutschland (How Austria Experienced its Liberation: Adolf Hitler and his Route to Greater Germany) tells the story of the early years of Adolph Hitler, Nazism, and the Third Reich.  This time period, from Hitler’s birth up to the Anschluss, or annexation of Austria in 1938, might be considered “the good years” for people sympathetic to the Nazis’ cause.  Luckily for the rest of the world, things went downhill for the Nazi’s in the years after that.

 

Title page to Wie die Ostmark ihre Befreiung erlebte. Adolf Hitler und sein Weg zu Grossdeutschland. This page, and others throughout the book appear to have been made to resemble woodcuts.

 

 

Published in 1940, Wie die Ostmark ihre Befreiung Erlebte has over 300 illustrations. The majority of them are small tipped-in reproductions of original black and white photographs, each 2 inches by 2.5 inches. This gives it the look of a sticker-collection book. The rest of the illustrations are larger printed photographs and drawings that resemble woodcuts.

The typeface used in Wie die Ostmark ihre Befreiung Erlebte is the old Fraktur, which originated in the 16th century. Ironically, one year later Hitler banned the use of this font (which was used in both this book and on the cover of Hitler’s earlier work, Mein Kampf) claiming it was a Jewish font  since it was often seen on Judaic printed materials.  

This page shows images of Hitler’s parents and boyhood home, as well as other buildings relevant to his young years.

While Wie die Ostmark ihre Befreiung Erlebte probably was intended to be a sort of celebratory “coffee table book” in 1940’s Germany, it now serves as a visible reminder of the dangers of allowing individuals with sinister motivations to attain positions of power.

 

 

 

 

 

 

 

 

 

 

 

 

Pages of Wie die Ostmark ihre Befreiung Erlebte use the Fraktur typeface. Fraktur was banned one year after the publication of this book.

George Mason University Mentioned in the Film Hidden Figures

When was the last time you heard George Mason University mentioned in a major motion picture? For this author, never. But in the 2016 film Hidden Figures, which was nominated for three Academy Awards including Best Picture, George Mason University found its way into the script during a memorable part of the film.  The reference to Mason was made by Janelle Monae in her portrayal of Mary Jackson, a NASA engineer and one of three African-American women who played key roles in the early development of the United States’ space program.

Janelle Monae as Mary Jackson in “Hidden Figures” Twentieth Century Fox Studios. Screenshot from video clip accessed at https://www.youtube.com/watch?v=7aiWlZJ6Pfg on 8 Mar 2016.

During the scene Mary Jackson is standing before a judge in a Hampton, Virginia courtroom to ask permission to attend night school classes in graduate-level math and physics sponsored by the University of Virginia and held in the then-whites-only Hampton High School.  When the judge informs her that segregation is the law in Virginia, and that an African American woman attending a white school is unheard of, Jackson pleads with him:

“Your Honor, you of all people should understand the importance of being first…You were the first in your family to serve in the  armed forces. U.S. Navy. The first to attend university.  George Mason… Your Honor, of all the cases you will hear today, which one will matter in a hundred years? Which one will you make the first?”

While the scene in the movie takes place sometime in 1961, as a later reference in the scene to Alan B. Shepard implies, we know that Mary Jackson actually attended the classes several years earlier and completed the program in 1958. A 1961 reference to George Mason University would have been a bit premature.  Mason was known as George Mason College (it became George Mason University in April of 1972), was a two-year community college, and had only been in operation for four years by 1961. So, it is highly unlikely that this jurist would have just finished his work at George Mason and became a high-ranking judge.

Nevertheless, it was gratifying to see that the writers of the film chose George Mason as the institution for the judge to have attended. This might spur some interesting reference inquiries in the future!