{"id":745,"date":"2009-06-25T10:54:58","date_gmt":"2009-06-25T14:54:58","guid":{"rendered":"http:\/\/specialcollections.wordpress.com\/?p=745"},"modified":"2009-09-24T10:07:33","modified_gmt":"2009-09-24T14:07:33","slug":"russian-ballet-in-paris-1909-1921","status":"publish","type":"post","link":"https:\/\/vault217.gmu.edu\/?p=745","title":{"rendered":"Russian Ballet in Paris 1909 – 1921"},"content":{"rendered":"

Collection des plus beaux num\u00c3\u00a9ros de Com\u00c5\u201cdia illustr\u00c3\u00a9 et des programmes consacr\u00c3\u00a9s aux ballets & galas russes, depuis le d\u00c3\u00a9but \u00c3\u00a0 Paris, 1909-1921<\/em> (Sp.Col. GV1787 .B7 1922) is a recent acquisition for our rare book collection. The book is a visually exciting French language collection of programs for Ballets Russes from the 1909 – 1921 seasons in France. The programs present great examples of early 20th century European techniques and styles of illustration and photo engraving. They are also an excellent resource for those doing research on Russian ballet from that time period.<\/p>\n

\"Nijinsky<\/a>

Nijinsky dans "La Peri"<\/p><\/div>\n

\"Saison<\/a>

Saison Russe 1910<\/p><\/div>\n

\"La<\/a>

La Legende de Joseph<\/p><\/div>\n

\"Le<\/a>

Le Dieu Bleu<\/p><\/div>\n

\"Vera<\/a>

Vera Fokina<\/p><\/div>\n","protected":false},"excerpt":{"rendered":"

Collection des plus beaux num\u00c3\u00a9ros de Com\u00c5\u201cdia illustr\u00c3\u00a9 et des programmes consacr\u00c3\u00a9s aux ballets & galas russes, depuis le d\u00c3\u00a9but \u00c3\u00a0 Paris, 1909-1921 (Sp.Col. GV1787 .B7 1922) is a recent acquisition for our rare book collection. The book is a visually exciting French language collection of programs for Ballets Russes from the 1909 – 1921 […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[4],"tags":[83,26,65,90,92],"class_list":["post-745","post","type-post","status-publish","format-standard","hentry","category-recent-acquisitions","tag-ballet","tag-france","tag-rare-books","tag-russia","tag-theatre"],"aioseo_notices":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p8Ep5i-c1","jetpack-related-posts":[{"id":9740,"url":"https:\/\/vault217.gmu.edu\/?p=9740","url_meta":{"origin":745,"position":0},"title":"New and Updated Finding Aids – Part Six","author":"Amanda Menjivar","date":"November 4, 2021","format":false,"excerpt":"All of these collections are available for use in the Special Collections Research Center. \"My Maryland\" operetta stage guide and score manuscripts Collection processed by Amanda Brent. Piano\/vocal score and stage guide to the operetta \"My Maryland\" by Dorothy Donnelly and Sigmund Romberg, both created circa 1929. Both volumes originated\u2026","rel":"","context":"In "New Finding Aids"","block_context":{"text":"New Finding Aids","link":"https:\/\/vault217.gmu.edu\/?cat=710"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/vault217.gmu.edu\/wp-content\/uploads\/2021\/11\/gw.jpg?fit=938%2C352&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/vault217.gmu.edu\/wp-content\/uploads\/2021\/11\/gw.jpg?fit=938%2C352&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/vault217.gmu.edu\/wp-content\/uploads\/2021\/11\/gw.jpg?fit=938%2C352&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/vault217.gmu.edu\/wp-content\/uploads\/2021\/11\/gw.jpg?fit=938%2C352&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":9530,"url":"https:\/\/vault217.gmu.edu\/?p=9530","url_meta":{"origin":745,"position":1},"title":"New and Updated Finding Aids – Part Three","author":"Amanda Menjivar","date":"April 13, 2021","format":false,"excerpt":"All collections mentioned were processed by Amanda Brent. Martha Swope photographs of Jerome Robbins rehearsing with ballet dancers for \"Antique Epigraphs\" \"Two black and white photographs of Jerome Robbins rehearsing with ballet dancers for 'Antique Epigraphs' at the New York City Ballet, taken by Martha Swope in early 1984. Both\u2026","rel":"","context":"In "New Finding Aids"","block_context":{"text":"New Finding Aids","link":"https:\/\/vault217.gmu.edu\/?cat=710"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/vault217.gmu.edu\/wp-content\/uploads\/2021\/04\/kosloff_002-scaled.jpg?fit=944%2C1200&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/vault217.gmu.edu\/wp-content\/uploads\/2021\/04\/kosloff_002-scaled.jpg?fit=944%2C1200&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/vault217.gmu.edu\/wp-content\/uploads\/2021\/04\/kosloff_002-scaled.jpg?fit=944%2C1200&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/vault217.gmu.edu\/wp-content\/uploads\/2021\/04\/kosloff_002-scaled.jpg?fit=944%2C1200&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":9697,"url":"https:\/\/vault217.gmu.edu\/?p=9697","url_meta":{"origin":745,"position":2},"title":"New and Updated Finding Aids – Part Five","author":"Amanda Menjivar","date":"August 18, 2021","format":false,"excerpt":"All of these collections are available for use in the Special Collections Research Center. All collections mentioned were processed by Amanda Brent. Ballet Russe de Monte Carlo \"Les Sylphides\" performance photographs by Sasha Three black and white photographs taken by Sasha to promote a London tour performance of \"Les Sylphides\"\u2026","rel":"","context":"In "Digitization"","block_context":{"text":"Digitization","link":"https:\/\/vault217.gmu.edu\/?cat=558"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/vault217.gmu.edu\/wp-content\/uploads\/2021\/08\/gopaledit.jpg?fit=687%2C335&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/vault217.gmu.edu\/wp-content\/uploads\/2021\/08\/gopaledit.jpg?fit=687%2C335&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/vault217.gmu.edu\/wp-content\/uploads\/2021\/08\/gopaledit.jpg?fit=687%2C335&ssl=1&resize=525%2C300 1.5x"},"classes":[]},{"id":9084,"url":"https:\/\/vault217.gmu.edu\/?p=9084","url_meta":{"origin":745,"position":3},"title":"Martha and Maria – Two Dancers Who Changed the World","author":"Amanda Menjivar","date":"March 26, 2020","format":false,"excerpt":"This blog was expanded from text in SCRC\u2019s Spring Exhibition \u201cShowing Us Our Own Face\u201d: Performing Arts and the Human Experience. In mid-century America, you would be hard-pressed to find two dancers more popular than Martha Graham and Maria Tallchief. 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