    {"id":7878,"date":"2018-08-24T16:22:48","date_gmt":"2018-08-24T20:22:48","guid":{"rendered":"https:\/\/vault217.gmu.edu\/?p=7878"},"modified":"2018-08-27T10:43:30","modified_gmt":"2018-08-27T14:43:30","slug":"wagners-the-valkyries-in-word-art-and-sound","status":"publish","type":"post","link":"https:\/\/vault217.gmu.edu\/?p=7878","title":{"rendered":"Wagner\u2019s The Valkyries in Word, Art, and Sound"},"content":{"rendered":"<p><em>This post was written by Simone Hawkins, Research Services Assistant.<\/em><\/p>\n<p><a href=\"https:\/\/vault217.gmu.edu\/?attachment_id=7895\" rel=\"attachment wp-att-7895\"><br \/>\n<img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"7895\" data-permalink=\"https:\/\/vault217.gmu.edu\/?attachment_id=7895\" data-orig-file=\"https:\/\/i0.wp.com\/vault217.gmu.edu\/wp-content\/uploads\/2018\/08\/ML3930_W2_M2_1914FBcover.jpg?fit=531%2C800&amp;ssl=1\" data-orig-size=\"531,800\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"ML3930_W2_M2_1914FBcover\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/vault217.gmu.edu\/wp-content\/uploads\/2018\/08\/ML3930_W2_M2_1914FBcover.jpg?fit=159%2C240&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/vault217.gmu.edu\/wp-content\/uploads\/2018\/08\/ML3930_W2_M2_1914FBcover.jpg?fit=199%2C300&amp;ssl=1\" class=\"aligncenter wp-image-7895\" src=\"https:\/\/i0.wp.com\/vault217.gmu.edu\/wp-content\/uploads\/2018\/08\/ML3930_W2_M2_1914FBcover.jpg?resize=446%2C672&#038;ssl=1\" alt=\"\" width=\"446\" height=\"672\" \/><\/a><\/p>\n<p>In searching for something new to present on the subject of our July 23\u00a0<a href=\"https:\/\/twitter.com\/gmuscrc\/status\/1021438214622662664\">#musicmonday<\/a> post, I came across two wonderful and unusual books among the assortment of materials in the Special Collections Research Center, Fenwick Library. Both seemingly unrelated, they each feature the German composer Richard Wagner\u2019s set of operas entitled the Ring Cycle. The particular significance of these items is that this past July happened to be the 167<sup>th<\/sup> anniversary of the first notation onto paper of that famous tune from the Ring Cycle, the <em>Ride of the Valkyries<\/em>.<\/p>\n<p>A <strong>leitmotif <span style=\"color: #993366;\"><a style=\"color: #993366;\" href=\"#_ftn1\" name=\"_ftnref1\">[1]<\/a><\/span><\/strong> is a theme or musical idea that typically symbolizes a character or place, among other things, in opera. It is most commonly associated with the operatic works of Richard Wagner (1813-1883) and \u2013 more specifically \u2013 his Ring Cycle, <strong><em>Der Ring des Nibelungen <\/em><span style=\"color: #993366;\"><a style=\"color: #993366;\" href=\"#_ftn2\" name=\"_ftnref2\">[2]<\/a><\/span><\/strong>.<\/p>\n<div id=\"attachment_7889\" style=\"width: 447px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/vault217.gmu.edu\/?attachment_id=7889\" rel=\"attachment wp-att-7889\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-7889\" data-attachment-id=\"7889\" data-permalink=\"https:\/\/vault217.gmu.edu\/?attachment_id=7889\" data-orig-file=\"https:\/\/i0.wp.com\/vault217.gmu.edu\/wp-content\/uploads\/2018\/08\/Blog-ML3930_W2_M2_1914_08.jpg?fit=3456%2C2304&amp;ssl=1\" data-orig-size=\"3456,2304\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Blog ML3930_W2_M2_1914_08\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/vault217.gmu.edu\/wp-content\/uploads\/2018\/08\/Blog-ML3930_W2_M2_1914_08.jpg?fit=240%2C160&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/vault217.gmu.edu\/wp-content\/uploads\/2018\/08\/Blog-ML3930_W2_M2_1914_08.jpg?fit=300%2C200&amp;ssl=1\" class=\"wp-image-7889\" src=\"https:\/\/i0.wp.com\/vault217.gmu.edu\/wp-content\/uploads\/2018\/08\/Blog-ML3930_W2_M2_1914_08.jpg?resize=437%2C291&#038;ssl=1\" alt=\"\" width=\"437\" height=\"291\" \/><\/a><p id=\"caption-attachment-7889\" class=\"wp-caption-text\">McSpadden, J. Walker, <em>Stories from Wagner<\/em>,\u00a0<span style=\"color: #993366;\"><a style=\"color: #993366;\" href=\"https:\/\/wrlc-gm.primo.exlibrisgroup.com\/discovery\/fulldisplay?docid=alma9929192313404105&amp;context=L&amp;vid=01WRLC_GML:01WRLC_GML&amp;search_scope=MyInst_and_CI&amp;tab=Everything&amp;lang=en\">ML3930 .W2 M2 1914<\/a><\/span>, Special Collections Research Center, George Mason University Libraries.<\/p><\/div>\n<p>This cycle consists of four operas, the second of which was highlighted in the book <em>Stories from Wagner<\/em> by J. Walker McSpadden. The composition of the music of <span style=\"color: #993366;\"><a style=\"color: #993366;\" href=\"https:\/\/en.wikipedia.org\/wiki\/Die_Walk%C3%BCre\"><em>Die Walk\u00fcre<\/em><\/a>\u00a0<\/span>began on <strong>July 23, 1851<\/strong><span style=\"color: #993366;\"> <a style=\"color: #993366;\" href=\"#_ftn3\" name=\"_ftnref3\"><strong>[3]<\/strong><\/a> <\/span>when Wagner sketched the theme, <a href=\"https:\/\/en.wikipedia.org\/wiki\/Ride_of_the_Valkyries\"><strong><em><span style=\"color: #993366;\">Ride of the Valkyries<\/span><\/em><\/strong><\/a>\u00a0(also called <em>Walk\u00fcrenritt<\/em> or <em>Ritt der Walk\u00fcren<\/em>). This theme has become the most familiar leitmotif of the Ring Cycle and often \u201cappears\u201d in films for dramatic effect, such as in the silent drama <em>The Birth of a Nation (1915)<\/em> and the war drama <em>Apocalypse Now (1979)<\/em>.<\/p>\n<div id=\"attachment_7891\" style=\"width: 427px\" class=\"wp-caption alignright\"><a href=\"https:\/\/vault217.gmu.edu\/?attachment_id=7891\" rel=\"attachment wp-att-7891\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-7891\" data-attachment-id=\"7891\" data-permalink=\"https:\/\/vault217.gmu.edu\/?attachment_id=7891\" data-orig-file=\"https:\/\/i0.wp.com\/vault217.gmu.edu\/wp-content\/uploads\/2018\/08\/Blog-ML3930_W2_M2_1914_10.jpg?fit=2304%2C3456&amp;ssl=1\" data-orig-size=\"2304,3456\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Blog ML3930_W2_M2_1914_10\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/vault217.gmu.edu\/wp-content\/uploads\/2018\/08\/Blog-ML3930_W2_M2_1914_10.jpg?fit=160%2C240&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/vault217.gmu.edu\/wp-content\/uploads\/2018\/08\/Blog-ML3930_W2_M2_1914_10.jpg?fit=200%2C300&amp;ssl=1\" class=\"wp-image-7891\" src=\"https:\/\/i0.wp.com\/vault217.gmu.edu\/wp-content\/uploads\/2018\/08\/Blog-ML3930_W2_M2_1914_10.jpg?resize=417%2C626&#038;ssl=1\" alt=\"\" width=\"417\" height=\"626\" \/><\/a><p id=\"caption-attachment-7891\" class=\"wp-caption-text\">McSpadden, J. Walker, <em>Stories from Wagner<\/em>,\u00a0ML3930 .W2 M2 1914, Special Collections Research Center, George Mason University Libraries.<\/p><\/div>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><em>Stories from Wagner<\/em> is an English adaptation of the libretti (this is the plural form of the term for the text that is sung) for the Ring Cycle. The libretti were written in German by Wagner over the course of five years, from 1848 to 1853, and were reworked from the Norse sagas,\u00a0<em>Nibelungenlied<\/em>. At the Festspielhaus in Bayreuth, Germany \u2013 built by Wagner and especially used for performances of his works \u2013 the first premiere of the entire Ring Cycle occurred in 1876: <em>Das Rheingold <\/em>(13 August)<em>, Die Walk\u00fcre<\/em> (14 August),<em> Siegfried <\/em>(16 August)<em>, <\/em>and <em>G\u00f6tterd\u00e4mmerung<\/em> (17 August).<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>McSpadden uses approximate English translations for the opera titles of the Ring Cycle. <em>The War-Maidens<\/em> is equivalent to <em>Die Walk\u00fcre<\/em>. (A valkyrie is a maiden in Norse mythology that chooses who lives and dies in battle; half of those who die are taken by the Valkyries to Valhalla, the home of the gods.) The book itself has an ornate cover, and is a part of the Wendi D. Slagle Decorated Bindings Collection. There are coloured plates of paintings within that depict various scenes from each of the stories.<\/p>\n<div id=\"attachment_7890\" style=\"width: 510px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/vault217.gmu.edu\/?attachment_id=7890\" rel=\"attachment wp-att-7890\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-7890\" data-attachment-id=\"7890\" data-permalink=\"https:\/\/vault217.gmu.edu\/?attachment_id=7890\" data-orig-file=\"https:\/\/i0.wp.com\/vault217.gmu.edu\/wp-content\/uploads\/2018\/08\/Blog-ML3930_W2_M2_1914_09.jpg?fit=500%2C333&amp;ssl=1\" data-orig-size=\"500,333\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Blog ML3930_W2_M2_1914_09\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/vault217.gmu.edu\/wp-content\/uploads\/2018\/08\/Blog-ML3930_W2_M2_1914_09.jpg?fit=240%2C160&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/vault217.gmu.edu\/wp-content\/uploads\/2018\/08\/Blog-ML3930_W2_M2_1914_09.jpg?fit=300%2C200&amp;ssl=1\" class=\"wp-image-7890 size-full\" src=\"https:\/\/i0.wp.com\/vault217.gmu.edu\/wp-content\/uploads\/2018\/08\/Blog-ML3930_W2_M2_1914_09.jpg?resize=500%2C333&#038;ssl=1\" alt=\"\" width=\"500\" height=\"333\" \/><\/a><p id=\"caption-attachment-7890\" class=\"wp-caption-text\">Chapter on <em>Die Walk\u00fcre.\u00a0<\/em>McSpadden, J. Walker, Stories from Wagner,\u00a0ML3930 .W2 M2 1914, Special Collections Research Center, George Mason University Libraries.<\/p><\/div>\n<p>&nbsp;<\/p>\n<p>Another fascinating volume from our collections, <strong><em>The Victrola Book of the Opera<\/em><\/strong> <span style=\"color: #993366;\"><a style=\"color: #993366;\" href=\"#_ftn4\" name=\"_ftnref4\"><strong>[4]<\/strong><\/a><\/span> by Samuel Holland Rous (MT150.R697 1919), has an overview of operas which were recorded by the <span style=\"color: #993366;\"><a style=\"color: #993366;\" href=\"https:\/\/www.britannica.com\/topic\/music-recording#ref530257\"><em>Victor Talking Machine Company<\/em><\/a><\/span>. Many editions of this book were published between 1912 and 1976 <span style=\"color: #993366;\"><a style=\"color: #993366;\" href=\"#_ftn5\" name=\"_ftnref5\"><strong>[5]<\/strong><\/a><\/span>. Inside there are plot summaries, images of set design, photographs of the recorded performers, as well as prices for all the records listed.<\/p>\n<div id=\"attachment_7885\" style=\"width: 479px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/vault217.gmu.edu\/?attachment_id=7885\" rel=\"attachment wp-att-7885\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-7885\" data-attachment-id=\"7885\" data-permalink=\"https:\/\/vault217.gmu.edu\/?attachment_id=7885\" data-orig-file=\"https:\/\/i0.wp.com\/vault217.gmu.edu\/wp-content\/uploads\/2018\/08\/Blog-ML3930_W2_M2_1914_02and03.jpg?fit=1280%2C1024&amp;ssl=1\" data-orig-size=\"1280,1024\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Blog ML3930_W2_M2_1914_02and03\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/vault217.gmu.edu\/wp-content\/uploads\/2018\/08\/Blog-ML3930_W2_M2_1914_02and03.jpg?fit=240%2C192&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/vault217.gmu.edu\/wp-content\/uploads\/2018\/08\/Blog-ML3930_W2_M2_1914_02and03.jpg?fit=300%2C240&amp;ssl=1\" class=\"wp-image-7885\" src=\"https:\/\/i0.wp.com\/vault217.gmu.edu\/wp-content\/uploads\/2018\/08\/Blog-ML3930_W2_M2_1914_02and03.jpg?resize=469%2C375&#038;ssl=1\" alt=\"\" width=\"469\" height=\"375\" \/><\/a><p id=\"caption-attachment-7885\" class=\"wp-caption-text\">Rous, Samuel H., The Victrola Book of the Opera,\u00a0<span style=\"color: #993366;\"><a style=\"color: #993366;\" href=\"https:\/\/wrlc-gm.primo.exlibrisgroup.com\/discovery\/fulldisplay?docid=alma9935605473404105&amp;context=L&amp;vid=01WRLC_GML:01WRLC_GML&amp;search_scope=MyInst_and_CI&amp;tab=Everything&amp;lang=en\">MT150 .R697 1919<\/a><\/span>, Special Collections Research Center, George Mason University Libraries.<\/p><\/div>\n<p>&nbsp;<\/p>\n<div id=\"attachment_7886\" style=\"width: 482px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/vault217.gmu.edu\/?attachment_id=7886\" rel=\"attachment wp-att-7886\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-7886\" data-attachment-id=\"7886\" data-permalink=\"https:\/\/vault217.gmu.edu\/?attachment_id=7886\" data-orig-file=\"https:\/\/i0.wp.com\/vault217.gmu.edu\/wp-content\/uploads\/2018\/08\/Blog-ML3930_W2_M2_1914_04.jpg?fit=3456%2C2304&amp;ssl=1\" data-orig-size=\"3456,2304\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Blog ML3930_W2_M2_1914_04\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/vault217.gmu.edu\/wp-content\/uploads\/2018\/08\/Blog-ML3930_W2_M2_1914_04.jpg?fit=240%2C160&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/vault217.gmu.edu\/wp-content\/uploads\/2018\/08\/Blog-ML3930_W2_M2_1914_04.jpg?fit=300%2C200&amp;ssl=1\" class=\"wp-image-7886\" src=\"https:\/\/i0.wp.com\/vault217.gmu.edu\/wp-content\/uploads\/2018\/08\/Blog-ML3930_W2_M2_1914_04.jpg?resize=472%2C314&#038;ssl=1\" alt=\"\" width=\"472\" height=\"314\" \/><\/a><p id=\"caption-attachment-7886\" class=\"wp-caption-text\">Detail of Victor Talking Machine Company logo.\u00a0Rous, Samuel H., The Victrola Book of the Opera,\u00a0<span style=\"color: #993366;\"><a style=\"color: #993366;\" href=\"https:\/\/wrlc-gm.primo.exlibrisgroup.com\/discovery\/fulldisplay?docid=alma9935605473404105&amp;context=L&amp;vid=01WRLC_GML:01WRLC_GML&amp;search_scope=MyInst_and_CI&amp;tab=Everything&amp;lang=en\">MT150 .R697 1919<\/a><\/span>, Special Collections Research Center, George Mason University Libraries.<\/p><\/div>\n<p><em>The Victor Talking Machine Company<\/em> \u2013 an American company based out of Camden, New Jersey \u2013 was prominent in its manufacture of recordings in the early 1900s, due to collaborations with famous performers, such as the tenor Enrico Caruso. A famed record company with an iconic logo, by 1919 they had recorded [specifically] the <em>Ride of the Valkyries<\/em> twice, each of them being on a double-faced record. Though I was unable to find the recording of the La Scala orchestra, the one by Vessella\u2019s Italian Band from 1914 can be found on<span style=\"color: #993366;\"> <a style=\"color: #993366;\" href=\"https:\/\/www.youtube.com\/watch?v=0v2kZu6CYpk\">YouTube<\/a><\/span> (click the link to have a listen!).<\/p>\n<div id=\"attachment_7887\" style=\"width: 600px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/vault217.gmu.edu\/?attachment_id=7887\" rel=\"attachment wp-att-7887\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-7887\" data-attachment-id=\"7887\" data-permalink=\"https:\/\/vault217.gmu.edu\/?attachment_id=7887\" data-orig-file=\"https:\/\/i0.wp.com\/vault217.gmu.edu\/wp-content\/uploads\/2018\/08\/Blog-ML3930_W2_M2_1914_06.jpg?fit=3456%2C2304&amp;ssl=1\" data-orig-size=\"3456,2304\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Blog ML3930_W2_M2_1914_06\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/vault217.gmu.edu\/wp-content\/uploads\/2018\/08\/Blog-ML3930_W2_M2_1914_06.jpg?fit=240%2C160&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/vault217.gmu.edu\/wp-content\/uploads\/2018\/08\/Blog-ML3930_W2_M2_1914_06.jpg?fit=300%2C200&amp;ssl=1\" class=\"wp-image-7887\" src=\"https:\/\/i0.wp.com\/vault217.gmu.edu\/wp-content\/uploads\/2018\/08\/Blog-ML3930_W2_M2_1914_06.jpg?resize=590%2C393&#038;ssl=1\" alt=\"\" width=\"590\" height=\"393\" \/><\/a><p id=\"caption-attachment-7887\" class=\"wp-caption-text\">Page detail from Die Walk\u00fcre.\u00a0Rous, Samuel H., The Victrola Book of the Opera,\u00a0<span style=\"color: #993366;\"><a style=\"color: #993366;\" href=\"https:\/\/wrlc-gm.primo.exlibrisgroup.com\/discovery\/fulldisplay?docid=alma9935605473404105&amp;context=L&amp;vid=01WRLC_GML:01WRLC_GML&amp;search_scope=MyInst_and_CI&amp;tab=Everything&amp;lang=en\">MT150 .R697 1919<\/a><\/span>, Special Collections Research Center, George Mason University Libraries.<\/p><\/div>\n<p>An interesting correlation between <em>Stories from Wagner <\/em>and <em>The Victrola Book of the Opera<\/em> is that this painting by Ferdinand Leeke (spelled Lecke in McSpadden) appears in both. The five-year difference in publication dates is especially fascinating, as I was not expecting the earlier reproduction of the painting to be in colour, whereas the later version is in black and white. Perhaps the use of this particular painting twice indicates that there are few artworks illustrating scenes from the Ring Cycle or even of Wagner\u2019s operas in general. It would be interesting to find out how often this artwork has been reproduced in other books on the Ring Cycle!<\/p>\n<div id=\"attachment_7888\" style=\"width: 672px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/vault217.gmu.edu\/?attachment_id=7888\" rel=\"attachment wp-att-7888\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-7888\" data-attachment-id=\"7888\" data-permalink=\"https:\/\/vault217.gmu.edu\/?attachment_id=7888\" data-orig-file=\"https:\/\/i0.wp.com\/vault217.gmu.edu\/wp-content\/uploads\/2018\/08\/Blog-ML3930_W2_M2_1914_07.jpg?fit=1557%2C2271&amp;ssl=1\" data-orig-size=\"1557,2271\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Blog ML3930_W2_M2_1914_07\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/vault217.gmu.edu\/wp-content\/uploads\/2018\/08\/Blog-ML3930_W2_M2_1914_07.jpg?fit=165%2C240&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/vault217.gmu.edu\/wp-content\/uploads\/2018\/08\/Blog-ML3930_W2_M2_1914_07.jpg?fit=206%2C300&amp;ssl=1\" class=\"wp-image-7888 \" src=\"https:\/\/i0.wp.com\/vault217.gmu.edu\/wp-content\/uploads\/2018\/08\/Blog-ML3930_W2_M2_1914_07.jpg?resize=662%2C966&#038;ssl=1\" alt=\"\" width=\"662\" height=\"966\" \/><\/a><p id=\"caption-attachment-7888\" class=\"wp-caption-text\">Comparison of Lecke paintings from\u00a0<em>Stories from Wagner <\/em>and\u00a0<em>The Victrola Book of the Opera<\/em>,<\/p><\/div>\n<p>As a musician more well-versed and interested in the Baroque era, this truly was an eye-opening experience to have researched and prepared a post on Richard Wagner. Having only been familiar with his <em>Ride of the Valkyries<\/em> and Bridal Chorus (which is from another of his operas <em>Lohengrin <\/em>\u2013 also a famous tune!), writing this post has indeed been a challenging process but it has also inspired me to continue researching about him and to spend more time getting acquainted with his music.<\/p>\n<p><span style=\"color: #993366;\"><a style=\"color: #993366;\" href=\"#_ftnref1\" name=\"_ftn1\">[1]<\/a> <a style=\"color: #993366;\" href=\"http:\/\/www.oxfordmusiconline.com\/grovemusic\/view\/10.1093\/gmo\/9781561592630.001.0001\/omo-9781561592630-e-0000016360\">Leitmotif<\/a><\/span> (Grove Music Online)<\/p>\n<p><span style=\"color: #993366;\"><a style=\"color: #993366;\" href=\"#_ftnref2\" name=\"_ftn2\">[2]<\/a> <a style=\"color: #993366;\" href=\"https:\/\/en.wikipedia.org\/wiki\/Der_Ring_des_Nibelungen:_Composition_of_the_music\"><span style=\"color: #993366;\">Der Ring<\/span> des Nibelungen<\/a><\/span>: Composition of the music (Wikipedia)<\/p>\n<p><span style=\"color: #993366;\"><a style=\"color: #993366;\" href=\"#_ftnref3\" name=\"_ftn3\">[3]<\/a><\/span><a href=\"https:\/\/archive.org\/stream\/lifeofrichardwag00newm#page\/240\"><span style=\"color: #993366;\"><em> The Life of Richard Wagner<\/em>,<\/span><\/a> by Ernest Newman (p. 240-241) (archive.org)<\/p>\n<p><span style=\"color: #993366;\"><a style=\"color: #993366;\" href=\"#_ftnref4\" name=\"_ftn1\">[4]<\/a> <\/span><a href=\"https:\/\/archive.org\/stream\/victrolabookofop1919rous#page\/418\"><em><span style=\"color: #993366;\">The Victrola Book of the Opera<\/span><\/em><\/a>, by Samuel Holland Rous (p. 418-427) (archive.org)<\/p>\n<p><span style=\"color: #993366;\"><a style=\"color: #993366;\" href=\"#_ftnref5\" name=\"_ftn1\">[5]<\/a> <\/span>Catalog record for <span style=\"color: #993366;\"><a style=\"color: #993366;\" href=\"http:\/\/www.loc.gov\/jukebox\/victor-book-of-the-opera\"><em>The Victrola Book of the Opera<\/em><\/a><\/span> (loc.gov)<\/p>\n<p>&nbsp;<\/p>\n<p>Additional Resources:<\/p>\n<p>For a concise overview of the Ring Cycle, see this <span style=\"color: #993366;\"><a style=\"color: #993366;\" href=\"https:\/\/www.independent.co.uk\/news\/media\/musical-marathon-a-ten-minute-guide-to-the-ring-cycle-6108068.html\">article.<\/a><\/span><\/p>\n<p>A more detailed biography of Wagner can be found<span style=\"color: #993366;\"><a style=\"color: #993366;\" href=\"http:\/\/www.oxfordmusiconline.com\/grovemusic\/view\/10.1093\/gmo\/9781561592630.001.0001\/omo-9781561592630-e-6002278269#omo-9781561592630-e-6002278269-div1-6002278269.1.13\"> here<\/a><\/span>.<\/p>\n<p>And to read more about the famed tenor Enrico Caruso, click <span style=\"color: #993366;\"><a style=\"color: #993366;\" href=\"http:\/\/www.oxfordmusiconline.com\/grovemusic\/view\/10.1093\/gmo\/9781561592630.001.0001\/omo-9781561592630-e-0000005040?rskey=j2rbK7&amp;result=1\">here<\/a><\/span>.<\/p>\n<p>&nbsp;<\/p>\n<p><em>Follow Special Collections Research Center on Social Media\u00a0<\/em>at\u00a0our<em>\u00a0<span style=\"color: #993366;\"><a style=\"color: #993366;\" href=\"http:\/\/scrc.gmu.edu\/facebook\">Facebook<\/a><\/span>,\u00a0<span style=\"color: #993366;\"><a style=\"color: #993366;\" href=\"http:\/\/scrc.gmu.edu\/instagram\">Instagram<\/a>,<\/span> and\u00a0<span style=\"color: #993366;\"><a style=\"color: #993366;\" href=\"http:\/\/scrc.gmu.edu\/twitter\">Twitter<\/a>\u00a0<\/span>accounts. To search the collections\u00a0held at Special Collections Research Center, go to our\u00a0website\u00a0and browse the finding aids by subject or title. You may also e-mail\u00a0us at\u00a0<span style=\"color: #993366;\"><a style=\"color: #993366;\" href=\"mailto:speccoll@gmu.edu\">speccoll@gmu.edu<\/a><\/span>\u00a0or call 703-993-2220 if you would like to\u00a0schedule an appointment, request materials, or if you have questions. Appointments are not necessary to request and view collections.<\/em><\/p>\n<p><a href=\"#_ftnref5\" name=\"_ftn5\"><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>This post was written by Simone Hawkins, Research Services Assistant. In searching for something new to present on the subject of our July 23\u00a0#musicmonday post, I came across two wonderful and unusual books among the assortment of materials in the Special Collections Research Center, Fenwick Library. Both seemingly unrelated, they each feature the German composer [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":7884,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[272,326,5,121],"tags":[437,699,693,691,698,694,695,696,690,692,697],"class_list":["post-7878","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-gmu-fairfax-campus","category-rare-books-2","category-scrc-interest","category-scrc-picks","tag-19th-century","tag-decorated-bindings","tag-die-walkure","tag-dramatic-opera","tag-early-recordings","tag-german-music","tag-nibelungenlied","tag-norse-sagas","tag-richard-wagner","tag-the-ring-cycle","tag-victor-records"],"aioseo_notices":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/vault217.gmu.edu\/wp-content\/uploads\/2018\/08\/Blog-ML3930_W2_M2_1914_01.jpg?fit=3456%2C2304&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p8Ep5i-234","jetpack-related-posts":[{"id":9047,"url":"https:\/\/vault217.gmu.edu\/?p=9047","url_meta":{"origin":7878,"position":0},"title":"Shattering Stereotypes Instead of Glass: Opera and &#8220;Showing Us Our Own Face&#8221;","author":"admin","date":"February 13, 2020","format":false,"excerpt":"To many 21st century Americans, opera might conjure images of women in horned helmets belting out screechy songs in incomprehensible languages., and shattering panes of glass in the process. This stereotype has its origins in the German composer Richard Wagner\u2019s operas with stories based in Norse mythology, and it is\u2026","rel":"","context":"In &quot;exhibits&quot;","block_context":{"text":"exhibits","link":"https:\/\/vault217.gmu.edu\/?cat=22"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/vault217.gmu.edu\/wp-content\/uploads\/2020\/02\/C0209_PA_0144-scaled.jpg?fit=854%2C1200&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/vault217.gmu.edu\/wp-content\/uploads\/2020\/02\/C0209_PA_0144-scaled.jpg?fit=854%2C1200&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/vault217.gmu.edu\/wp-content\/uploads\/2020\/02\/C0209_PA_0144-scaled.jpg?fit=854%2C1200&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/vault217.gmu.edu\/wp-content\/uploads\/2020\/02\/C0209_PA_0144-scaled.jpg?fit=854%2C1200&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":9427,"url":"https:\/\/vault217.gmu.edu\/?p=9427","url_meta":{"origin":7878,"position":1},"title":"The Franklin Library Collection at Special Collections Research Center","author":"admin","date":"February 3, 2021","format":false,"excerpt":"\u00a0This post was written by Colleen Gerrity, Research Services Assistant in SCRC. Special Collections Research Center at George Mason University is the home to a plethora of classic literature and unique literary treasures. Sometimes, the literary classics are made to be unique treasures due to their exquisite design and rarity.\u2026","rel":"","context":"In &quot;GMU Fairfax Campus&quot;","block_context":{"text":"GMU Fairfax Campus","link":"https:\/\/vault217.gmu.edu\/?cat=272"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/vault217.gmu.edu\/wp-content\/uploads\/2021\/01\/stacks-2.jpg?fit=1200%2C675&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/vault217.gmu.edu\/wp-content\/uploads\/2021\/01\/stacks-2.jpg?fit=1200%2C675&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/vault217.gmu.edu\/wp-content\/uploads\/2021\/01\/stacks-2.jpg?fit=1200%2C675&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/vault217.gmu.edu\/wp-content\/uploads\/2021\/01\/stacks-2.jpg?fit=1200%2C675&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/vault217.gmu.edu\/wp-content\/uploads\/2021\/01\/stacks-2.jpg?fit=1200%2C675&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":5470,"url":"https:\/\/vault217.gmu.edu\/?p=5470","url_meta":{"origin":7878,"position":2},"title":"Rare books moving today and other important dates","author":"admin","date":"November 19, 2015","format":false,"excerpt":"Special Collections Research Center's rare and antiquarian books have started to move\u00a0over to the new addition today. They are now nearly finished being moved and remain accessible. Our reading room will remain open from 10:00 AM to 4:30 PM on Mondays through Fridays. Wednesday evening hours (until 8:00) will continue\u2026","rel":"","context":"In &quot;News&quot;","block_context":{"text":"News","link":"https:\/\/vault217.gmu.edu\/?cat=3"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":6098,"url":"https:\/\/vault217.gmu.edu\/?p=6098","url_meta":{"origin":7878,"position":3},"title":"The Languages of Special Collections","author":"admin","date":"January 26, 2017","format":false,"excerpt":"There is a babel of languages in Special Collections. Here at the Special Collections Research Center at George Mason University Libraries, a quick catalog search shows archival materials or rare books in the following languages: English German French Russian Italian Latin Greek Arabic Hebrew In the Archives alone, untranslated material\u2026","rel":"","context":"In &quot;miscellaneous&quot;","block_context":{"text":"miscellaneous","link":"https:\/\/vault217.gmu.edu\/?cat=93"},"img":{"alt_text":"A book of Lutheran devotional exercises","src":"https:\/\/i0.wp.com\/vault217.gmu.edu\/wp-content\/uploads\/2017\/01\/2017-01-23-13.55.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":7414,"url":"https:\/\/vault217.gmu.edu\/?p=7414","url_meta":{"origin":7878,"position":4},"title":"Mahogani Harper: My Experience as a Student Assistant at Special Collection","author":"admin","date":"April 11, 2018","format":false,"excerpt":"Working at the Special Collections Research Center (SCRC) as a student assistant has been a unique and enjoyable experience. I\u2019ve met people from many groups and departments at Mason while working at the front desk, and have encountered books that were older than my great grandmother while working in the\u2026","rel":"","context":"In &quot;GMU Fairfax Campus&quot;","block_context":{"text":"GMU Fairfax Campus","link":"https:\/\/vault217.gmu.edu\/?cat=272"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/vault217.gmu.edu\/wp-content\/uploads\/2018\/04\/C0130B3-1-of-2.jpg?fit=1200%2C1051&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/vault217.gmu.edu\/wp-content\/uploads\/2018\/04\/C0130B3-1-of-2.jpg?fit=1200%2C1051&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/vault217.gmu.edu\/wp-content\/uploads\/2018\/04\/C0130B3-1-of-2.jpg?fit=1200%2C1051&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/vault217.gmu.edu\/wp-content\/uploads\/2018\/04\/C0130B3-1-of-2.jpg?fit=1200%2C1051&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/vault217.gmu.edu\/wp-content\/uploads\/2018\/04\/C0130B3-1-of-2.jpg?fit=1200%2C1051&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":9014,"url":"https:\/\/vault217.gmu.edu\/?p=9014","url_meta":{"origin":7878,"position":5},"title":"&#8220;Incantations by Mayan Women&#8221;: A Look into Artists&#8217; Books","author":"admin","date":"January 30, 2020","format":false,"excerpt":"This post was written by Emily Rusch, Research Services Archival Assistant. Many students at George Mason can guess that the Special Collections Research Center (SCRC) carries all sorts of books; fiction, non-fiction, history of Virginia and George Mason related materials. However, did you know that SCRC also carries artists' books?\u2026","rel":"","context":"In &quot;GMU Fairfax Campus&quot;","block_context":{"text":"GMU Fairfax Campus","link":"https:\/\/vault217.gmu.edu\/?cat=272"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/vault217.gmu.edu\/wp-content\/uploads\/2020\/01\/agriculture-scaled.jpg?fit=1087%2C1200&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/vault217.gmu.edu\/wp-content\/uploads\/2020\/01\/agriculture-scaled.jpg?fit=1087%2C1200&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/vault217.gmu.edu\/wp-content\/uploads\/2020\/01\/agriculture-scaled.jpg?fit=1087%2C1200&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/vault217.gmu.edu\/wp-content\/uploads\/2020\/01\/agriculture-scaled.jpg?fit=1087%2C1200&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/vault217.gmu.edu\/wp-content\/uploads\/2020\/01\/agriculture-scaled.jpg?fit=1087%2C1200&ssl=1&resize=1050%2C600 3x"},"classes":[]}],"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/vault217.gmu.edu\/index.php?rest_route=\/wp\/v2\/posts\/7878","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/vault217.gmu.edu\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/vault217.gmu.edu\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/vault217.gmu.edu\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/vault217.gmu.edu\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=7878"}],"version-history":[{"count":10,"href":"https:\/\/vault217.gmu.edu\/index.php?rest_route=\/wp\/v2\/posts\/7878\/revisions"}],"predecessor-version":[{"id":7902,"href":"https:\/\/vault217.gmu.edu\/index.php?rest_route=\/wp\/v2\/posts\/7878\/revisions\/7902"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/vault217.gmu.edu\/index.php?rest_route=\/wp\/v2\/media\/7884"}],"wp:attachment":[{"href":"https:\/\/vault217.gmu.edu\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=7878"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/vault217.gmu.edu\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=7878"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/vault217.gmu.edu\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=7878"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}