Questions in the Process: Finding Order

This post is one in a series about the Lavinia Scott papers processing being completed by Assistant Processing Archivist Meghan Glasbrenner. Beginning the processing of a wholly unprocessed collection is always an interesting mix of daunting and exciting, and for anyone familiar with archival practices (or avid readers of Vault217), as Buchanan Project archivist Rebecca […]

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The Lavinia Scott Papers: An Introduction

Welcome to a new blog series detailing my work processing the Lavinia Scott papers, one of our newly acquired collections. I’m Meghan Glasbrenner, Assistant Processing Archivist for SCRC, and I am excited to introduce you all to Lavinia Scott, aunt of former George Mason University Provost (2000-2014) and Professor of History Dr. Peter Stearns. Born […]

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New Digital Collection: The Harold Saunders papers

If you’ve been watching SCRC’s digital collections platform, LUNA (and I know you follow it like the release of the new iPhone), you’ll notice that we’ve recently added a new collection to our available online material! The collection is the papers of the late, great U.S. diplomat Harold “Hal” Saunders.  Starting out as a U.S. […]

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George Mason University Becomes Independent, April 7, 1972

This post is part of a four-part series detailing the history of George Mason University from the student perspective. Our initial post, Before We Became George Mason University: Our First Campus at Bailey’s Crossroads, can be read here: https://vault217.gmu.edu/?p=10138 and Establishing our Identity: George Mason’s Fairfax Campus, can be read here: https://vault217.gmu.edu/?p=10152 On Friday April 7, 1972, […]

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Black and white photograph of three couples of men and women at a restaurant. The men are in military uniforms.

Processing from the Outside In: Ann Bakke Buchanan

This blog post was written by Rachel Barton, GRA for the Buchanan Papers processing project and is one in a series about the project. The project is supervised by Buchanan Papers Project Archivist Rebecca Thayer and is grant funded by the National Endowment for the Humanities. When you work in a collection like the James […]

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