Summer is approaching and travel plans have been made! Special Collections Research Center holds many images and books that represent great travel destinations in the United States and around the world. That is why we have planned a new exhibit – “Around the World in (Almost) Eighty Days: Traveling the Globe with Special Collections” to show off these wonderful pieces and maybe even help those who are still trying to figure out where to travel in the upcoming months. The exhibit will run from June 5 until mid-August and a reception will be held in Fenwick Library on June 15 from 3 to 4:30 p.m. Hope to see you there – Bon Voyage!
For a brief period Wednesday, normal activity came to a halt in the Special Collections Research Center. Our fabulous Cataloging & Metadata Librarian, Friedgard Cowan, brought down a cart packed with recently cataloged rare books from Technical Services. When a rare book is donated or acquired, it is first cataloged in Technical Services, so that it will be accessible to researchers through our online Catalog. After it’s cataloged, the rare books are brought to the Research Services Coordinator in the Special Collections Research Center, so that we may assess any preservation needs it may have before shelving it in the stacks. Books in more fragile condition require an enclosure, like a phase box or four flap folder, before being able to be shelf-ready. Once it is determined that the book is “shelf-ready,” it is shelved in our closed stacks–ready to be pulled for the researchers who need it!
Seeing the “new to us” rare books is always exciting. So here, making their Special Collections Research Center debut:
First, an addition to our Decorated Bindings Collection! Elizabethan Songs “In Honour of Love and Beautie” Collected and Illustrated by Edmund H. Garrett, published in 1891.
In fact, music seems to be the theme of these recently cataloged books. From 1935, we have a first edition vocal score, “Songs from Top Hat,” with words and music by Irving Berlin. Songs included in this piano-vocal score include classics like, “Cheek to Cheek,” “Top Hat, White Tie and Tails,” and “No Strings (I’m Fancy Free).”
Finally, an early musical manuscript: plainsong!
Can you see the grotesque face in the initial below?
You can find these items and many more in our rare books collection. To search the rare books collection for interesting items from our collection, search the Mason Catalog, click on “Set Limit” and limit by the location “Fenwick Special Collections.”
E-mail us at firstname.lastname@example.org or call 703-993-2220 if you would like to schedule an appointment, request materials, or if you have any questions. Appointments are not necessary to view collections.
This post was written by Leanne Fortney, who began working with us in March as a Graduate Student Assistant within Research Services. Her main responsibilities are safeguarding our materials and assisting patrons with their research needs. She is a mother of two working on her MA in Art History with an interest in U.S. modern art between World War I and World War II.
In the United States, the Civil War created such a great demand for patriotic propaganda. Printmakers, such as Charles Magnus, produced over a thousand illustrations within the course of the war. This entire Northern Virginia Civil War images collection consists of nearly 200 images on various historical subjects in a variety of formats, including wood engravings, steel engravings, lithographs, chromolithographs, maps, and manuscripts from three periodicals: The Illustrated London News, Frank Leslie’s Illustrated Newspaper, and Harper’s Weekly. Most of the images depict battles and maps of the Civil War. The maps include the cities of Arlington and Alexandria and the counties of Fairfax, Loudoun and Prince William. Columbia Pike, Chain Bridge, Long Bridge, the Little River Turnpike, Centreville and Manassas all existed at the time of the Civil War and all of them are represented or referenced in these images.
Magnus’s Civil War illustrations depicted scenes of civil war camps, battles, and portraits of military officials, but he specialized primarily in decorative patriotic stationary such as cards and envelopes. Although pictorial images comprise the majority of the collection, there are also numerous maps, most of which were produced by lithography. A number were produced for military purposes and employed by both the North and South alike. Maps made during the Civil War were often exceedingly accurate; their usefulness carried on into the twentieth century. Magnus’s lithograph series entitled, “Bird’s Eye View of Alexandria, Va”, are illustrated on well-preserved envelopes that are no larger than 3 inches by 5 inches and include a few that are hand colored! In 1798, German inventor, Alois Senefelder, created an innovated and revolutionary printmaking process that is now known as lithography. Lithography allows for artists to produce an unlimited set of images. This enabled Magnus to keep up with the high demands for his patriotic illustrations.
Illustrations like these have been created and used by the public to highlight news events, political satire, coverage of wars, marriages, and even celebrity (like Kings, Queens, Popes, etc.) outings. The practice of creating woodblock prints has been around since at least 220 C.E. with the Han Dynasty. Eventually, through the use of removable type and the invention of the printing press, artists were able to distribute their images over an even larger population.
To search the collections held at Special Collections Research Center, go to our website and browse the finding aids by subject or title. You may also e-mail us at email@example.com or call 703-993-2220 if you would like to schedule an appointment, request materials, or if you have questions. Appointments are not necessary to request and view collections.
March is Women’s History Month!
Here in the Special Collections Research Center, we are honoring Women’s History Month by highlighting the collections and ephemera that document women’s contributions to American history.
Below, we have a pamphlet from the Equal Suffrage League of Virginia, dated from 1910. Here the authors connect a women’s work in the home with the broader work of cleaning up society.
From the Massachusetts Woman’s Suffrage Association is the follow pamphlet, documenting the states where women had the right to vote, or a partial right to vote.
As of 1915, women were legally allowed to vote in only a few states. The 19th Amendment would not ratified until 192o, which gave women the right to vote nationally.
Equal rights for women would remain an issue in politics even after the passage of the 19th Amendment.
Founded in 1920, the League of Women Voters is a non-partisan advocacy organization dedicated to informed and active participation in government and works to increase understanding of public policy issues.
In the Special Collections Research Center, we have the records of the League of Women Voters Fairfax, C0031. This collection contains multiple documents that outline the 1970s battle over the Equal Rights Amendment, never ratified.
In the above outline, for “ERA Month”, the authors assure its reader that “The ERA will not take women out of the home, require them to take jobs or to contribute half the financial support of their family. Rather, it would recognize for the first time the role and the contribution to the support of the family that the homemaker makes.”
To search the collections held at Special Collections Research Center, go to our website and browse the finding aids by subject or title. For rare books, search the library catalog, limiting your search to Fenwick Special Collections.
You may also e-mail us at firstname.lastname@example.org or call 703-993-2220 if you would like to schedule an appointment, request materials, or if you have questions. Appointments are not necessary to request and view collections.