Marchives Madness

  It is that time of year and SCRC is having another Marchives Madness contest. Our current exhibition is called “Showing Us Our Own Face”: Performing Arts and the Human Experience. All of the items have been digitized to replicate the physical exhibit as shown. To view all the items on line, go to our […]

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The Federal Theatre Project: The Collection That Started It All

In 1974 George Mason University faculty members Lorraine Brown and John O’Connor discovered the archives of the Federal Theater Project (FTP) in an aircraft hangar near Baltimore, Maryland after a lengthy search. Included were scripts for over 800 plays and radio programs, official FTP photographs, 1930s-era silk-screened posters, hand drawn set and costume designs, and […]

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Shattering Stereotypes Instead of Glass: Opera and “Showing Us Our Own Face”

To many 21st century Americans, opera might conjure images of women in horned helmets belting out screechy songs in incomprehensible languages., and shattering panes of glass in the process. This stereotype has its origins in the German composer Richard Wagner’s operas with stories based in Norse mythology, and it is an exaggeration of only a […]

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“Showing Us Our Own Face”: Performing Arts and the Human Experience

Performance is a uniquely human quality. Humans – the only creatures on earth able to conceptualize realities other than the present one – over the millennia have followed the urge to present these realities to each other in a multitude of ways. This need to witness and empathize with the joys, struggles, triumphs, failures, and […]

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Reprocessing Adventures – The Zelda Fichandler Papers

This post was written by Bill Keeler, Processing Student Assistant. Bill is studying History with a focus in American History at George Mason University. Since processing the Randolph H. Lytton Historical Virginia collection, I have begun reprocessing the Zelda Fichandler papers. I had the chance to poke around the collection and many problems have presented themselves! The first hurdle was to […]

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